|
|
|
Reviews - Blu-ray Review
Street Date: July 27th, 2010
Languages: English
Subtitles: English SDH
Run Time: 75
Rating: PG-13
Media Quantity: 1 (BD25)
Packaging Type: Elite Blue |
Aspect Ratio:
Original Aspect Ratio - 1.78 Widescreen [16:9 Transfer] 1080p
Sound Quality:
DTS-HD MA 5.1
|
Special Features
• Featurette: Robin’s Requiem: The Tale of
Jason Todd - The story of how DC Comics heard the fan outcry and reshaped the
Robin character for the new millennium.
• 2 bonus episodes from Batman The
Animated Series Season 1 handpicked by Bruce Timm
• Next Upcoming DCU (Superman/Batman:
Apocalypse) Sneak Peak (10 min)
• DC Showcase: Jonah Hex – animated
short. The tough-as-nails bounty hunter Jonah Hex always gets his man – until
someone else gets to him first – in this case a murderous madam who wants to
steal more than just his bounty from Jonah Hex. Based on a story from the
award-winning Jonah Hex comic series.
• Featurette:
Robin: The Story of Dick Grayson- Explore the evolution of the character through
the years.
• 2 bonus episodes from Batman The Animated
Series Season 1 handpicked by Bruce Timm
Review (Zach Demeter)
 It seems
like it’s been awhile since our last DC Universe
outing. Though I suppose that’s because it kind of
has been—the gap between the previous film, Justice League: Crisis on Two Earths, and this
one was about five months. After the rapid release that we got with Superman/Batman:
Public Enemies I got kind of spoiled with watching three of these films in
2009 and we’re only just getting our second of 2010 with Under the Red Hood
(though we’ll get another Superman/Batman film in September, rounding out
our third of the year for 2010). I realize this is all par for the course, but
when you run a website that, for the most part, lives and breathes these films
it gets to be a bit much and you expect these things to come out faster than
they do. In any case, here we are with Under the Red Hood which is yet
another comic book adaptation tweaked for home video. Those familiar with the
original story know that it was going to be an interesting adaptation for home
video, simply because Superboy punching a hole in whatever wasn’t going to fly
for a seventy-five minute film.
From the outset I was pretty opposed to
this film. I found the whole rejuvenation of Jason Todd in the comics to be
nothing short of a swift kick to the pants of comic book fans everywhere. The
Todd story, of fans actually voting to kill the guy via a 1-900 number setup by
DC Comics, was something that was such an iconic piece of comic book lore that
to play with it just seemed immoral and wrong. By the time they pulled this bit
of shenanigans in the comic book world I’d long since stopped reading (kind of
lost my reason to go to the comic shop after they cancelled Batman Adventures) though, so I really wasn’t affected by the
story they were telling. However once I heard that it was going to filter into
the DC Universe series of films, I knew I would eventually have to face facts
and deal with this annoyance. Unlike Chewbacca dying in the Star Wars
novels, I couldn’t ignore Todd returning by just not reading the story in which
it took place—now it would be put into animation.
That was all a bit
overdramatic, of course, but it helped drive the point home I think. Basically
where I’m starting out with this film is a general feeling of hatred towards the
story, so in order to be won over it’d have to be quite a little awesome bit of
animation. Now I can only imagine those that either don’t care or love the Todd
story as it now stands will take this film as it wraps it up into perhaps one of
the most neatly done and self-contained DTV’s yet to grace the series. There’s a
real sense of a stride being made even from the start of the film—the mood is
set almost immediately and when the opening credits with Christopher Drake’s
score kick in, you can’t help but get goosebumps. It’s obvious that the
filmmakers here are going for a Christopher Nolan vibe as the film is genuinely
and truly dark and Drake’s score even mimics and mirrors it on quite a few
occasions, although it still stands up on its own even without that relation
being made. The PG-13 rating really feels deserved here and I’m sure I’ve said
that before, but this is probably one of the most brutal bits of animated Batman
since Return of the Joker. So quite frankly I would avoid showing this
one to kids, as severed heads in a duffle bag (along with the requisite scenes
of Joker beating up on a teenage Todd with a crowbar) show up within a few
minutes of the film’s opening credits.
There’s also the issue of the
films dialogue. I shouldn’t say “issue” because it is PG-13—there’s just
a lot more “hell” and “damn”’s being thrown around, but it totally works here.
It doesn’t feel forced in like it has in past films; in fact it oddly feels
right. It’s kind of another element of the DC Universe titles hitting their
stride—they’ve finally figured out how to juggle these new PG-13 boundaries and
exploit them to their fullest. Of course the dialogue would still sound idiotic
if it wasn’t delivered properly and this is a tight little cast we have knitted
up for this release. The only real jarring portrayal was John DiMaggio as Joker,
but I soon realized while watching the film that the reason it felt odd was
because it actually makes you feel uncomfortable and in a creepy child
molester kind of way—which I’m not sure how close to a compliment that is to
DiMaggio, but it definitely got under your skin. Bruce Greenwood as Batman was a
superb portrayal as well, if mildly forced at times (particularly the speech in
the batwing as he was flying back from a meeting with Ra’s al Ghul, but that was
really the only major moment) and Neil Patrick Harris added a much needed level
of levity as Nightwing (oddly enough Black Mask adds some laughs to the thing as
well). They could’ve made even Nightwing’s role a bit darker, but considering
how they wrote him out of the story and avoided any kind of confrontation with
Red Hood proper (at least after Hood’s identity is “revealed”) taking him to any
kind of dark place would’ve been unnecessary in this film. The remainder of the
cast is as you’d expect with Alfred (voiced by Jim Piddock) and Jim Gordon (no
voice from him though) making appearances. There’s no real surprise parties
here, although there is a passing reference to Oracle and brief bit with Talia,
but nothing that we weren’t already expecting (unless The Riddler wasn’t shown
before, in which case he shows up here too…voiced by Bruce Timm no less). Then
of course there is Jensen Ackles as The Red Hood, which is probably one of the
strongest performances out of the entire film—really quite exceptional all
around.
 Obviously the main thing about this film is the story and how it
was adapted. The final elements of A Death in the Family play out in a
few minutes and we don’t dwell on it too much, although there are a few
well-done flashbacks plopped into the film here and there. In fact that was
probably one of the nicest things about the film—the exploration of Jason Todd’s
character. I’m sure it’ll come as no surprise that Todd is Red Hood (if that is
a surprise then you have terrible observational skills), but the film doesn’t
even make it out to be much of a surprise except to Batman and Alfred, so it’s
kind of a hook that the audience is already in on (although the less informed
may be unsure at first). In any case, the history of Todd is given in such a way
that it gives a nice backstory to the audience unfamiliar with it (and a
refresher for those that are). It even oddly ends the film in a way that feels
both abrupt as well as just…right. It’s hard to describe so I won’t even bother
trying, but the ending is probably one of the more poetic wrap-ups I’ve seen yet
in these DC Universe films. It may have been better served if the ultimate
resolution to the Red Hood story was a bit more dramatic, but it works either
way.
I did realize something about the film shortly into it that it felt
very familiar in structure to another animated outing in the past. The story
structure really isn’t all that different from Mask of the Phantasm, with
the mysterious stranger from Batman’s past arriving in Gotham and killing people
off. On top of that there’s the whole flashback angle and…truth be told the more
I think about it the more elements that the film kind of borrowed from Mask
of the Phantasm. This isn’t a terrible thing of course, but I’m not sure if
it makes me like Under the Red Hood more or less. I will say the
inclusion of Ra’s and the whole angle that it spun with Todd’s resurrection was
definitely a pleasing element at the very least—I’m not sure what I expected the
reasoning to be, but Judd Winick definitely did a solid bit of storytelling
here, with some nice little threads planted early on that were later picked up
at the end. Granted Ra’s was a component of the comic book resurrection as well,
but we avoided the idiotic time ripple effect of Superboy punching stuff. I
won’t divulge the whole story piece by piece, but it definitely was one of the
more movie-like storylines of the series thus far.
Directing and
animation in this film were generally superb—everything flowed beautifully and
the fights looked appropriately brutal. The CGI usage was a bit over abundant
and occasionally awkward looking, but nothing too terribly annoying…though they
just can’t seem to nail down vehicular physics, because they float around a lot
in these films. In any case the flaws you may have with the film definitely
don’t stem from the quality of the animation or the directing by Brandon Vietti
as both are absolutely top notch.
Truthfully speaking I expected to
really just dislike this film, but setting aside my reverence for the story of
Jason Todd’s death…I have to say this really was a damn good film. Time will
tell how I feel since I think I say that about every one of these DC Universe
titles and then later realize the flaws with each of them, but for the time
being Under the Red Hood was a genuinely surprising and entertaining
film. Definitely a Recommended outing, which is truthfully a higher
rating than I thought I’d give it when I slipped the disc into my player this
morning.
The Blu-ray
Warner tosses Red Hood onto Blu-ray with a
standard Elite Blu-ray case housed underneath a reflective foil/embossed
slipcover. Inside the case is the usual assortment: a Blu-ray for the film and
an insert containing the digital copy activation code (you actually just
download the file, as there’s no dedicated disc just for the copy itself). The
movie even has a main menu you get to choose from before it auto starts,
although if you’re a diehard DC animation fan then there’s very little, if
anything, that you’ll find worth checking out here (again – I pretty much said
the same thing for Crisis on Two Earths as well).
Before we get
into the disappointing extras, let’s first take a gander at the technical
presentation. The VC-1 encoded transfer is as close to flawless as you can get,
sans a few moments of gradient issues but that’s to be expected from an animated
production. There were a few segments with the Joker when he was talking with
Black Mask that seemed slightly out of focus and blurry to me as well, but it
only lasts for a few seconds so it really wasn’t anything that detracted from
the scene, especially since it was quieter.
 Now the audio is…holy crap.
Warner actually gave us a DTS-HD MA 5.1 track this time around. After years of
DD5.1 mixes on these films, we’re finally given a proper lossless mix and it
sounds fantastically thunderous. Almost immediately you get LFE output from the
films score and every resounding thud and explosion rocks the room. There’s also
a bevy of surround effects that flutter around the room (mostly attributed to
Batman’s gadgets) to keep the whole mix alive. I’m genuinely impressed by the
mix here, though mostly because they finally gave us something that had enough
force to make the subwoofer actually suck up some air, rather than the tiny
whispers it usually gives out.
Moving onto the extras we first have the
DC Showcase: Jonah Hex (11:53, 1080p) short which is as entertaining as
the previous Spectre Showcase, although it’s a tad bit less exciting. We
don’t get much backstory on Hex and the only thing we can really take away from
this short (other than the fantastic directing and animation) is that Hex will
beat up and leave a woman stranded in the desert surrounded by the dead bodies
of men she killed. Granted she wasn’t undeserving, but still...kind of strange
subject matter for a short. The voice cast was also solid, with the likes of
Thomas Jane, Linda Hamilton and Michelle Trachtenberg…although I honestly didn’t
recognize anyone at first except for Jason Marsden.
Hold onto your butts
for the rest of the extras:
First Look: Superman/Batman:
Apocalypse (12:12, SD)
Robin: The Story of Dick Grayson (24:13,
SD)
Robin's Requiem: The Tale of Jason Todd (20:58, SD)
Bruce
Timm's Top Picks (Robin's Reckoning, Pt. 1 and 2, Mad Love, The Laughing
Fish) (1:28:07, SD)
Trailers (Jonah Hex Motion Comic), The Lord of the
Rings (Animated), Legend of the Guardians, Justice League: Crisis on Two Earths,
Batman: Gotham Knight, Superman: Doomsday)
The Apocalypse
preview looks cool, not only because Summer Glau is voicing Supergirl but also
because they’re switching animation styles to mimic Michael Turner’s art more
closely. And the two Robin featurettes are nice history lessons (though I’m not
100% sure if we haven’t seen them elsewhere before as the interviews look kind
of old), but once again there’s nothing on here discussing the film itself.
Would a commentary be all that difficult? I mean we got new writing talent here
this time around so he could add in new insight into the production of these
films and…stuff. Ah, nevermind….I should just give up that crusade for
movie-centric extras instead of getting upset over the “over three hours of
other extras” tagline on the back of the packaging.
Overall this would be
a rental disc if it weren’t for the DTS-HD MA 5.1…that bumps it up to a
Recommended at least for the fans as the audio clarity finally matches
the visual clarity.
Review (James Harvey)
 Before I continue in
any capacity, you need to know I’m a huge Batman fan. Out of all heroes, from DC
and Marvel, etc., Batman just edges them all out. As a young child I loved the
1960s Batman
television until the 1989 big-screen Batman feature film, and the Batman:
The Animated Series program, changed my entire perception of the Caped
Crusader. I find he’s a character that, arguably, is the most flexible in
comics. And, to this day, his adventures in four-color and animated form
continue to enthrall me. And, to my fellow Batman fans, I can thankfully say
that Batman: Under the Red Hood is no exception. Not only did this movie
thoroughly grab on to me with an unforgiving hold, but it is also easily one of
the best DC Universe Animated Original Movie titles yet.
The DC Universe
Animated Original Movies has been pretty excellent so far. A couple slip-ups,
yes, and a few features which don’t quite add up to the others, but this line
has definitely brought up more hits than misses with the likes of Wonder Woman and Justice League:
Crisis on Two Earths easily at the top of the heap. However, it looks like
they may have just been dethroned with Batman: Under the Red Hood. In
fact, I would peg this as the most mature DC Universe Animated Original Movie
title yet, and the best Batman-focused animated feature since Batman Beyond:
Return of the Joker.
Where to start? Well, to those familiar with the
comic book story of which this film is based, you can rest assured knowing that
not only is this film very faithful to the Batman: Under the
Hood storyline, but actually improves upon it. There were actually moments,
while watching this movie, where I found myself wondering why Judd Winick,
writer of both the original comic story and this animated feature, didn’t just
do this or that in the first place. But that’s a completely different
discussion. Suffice it to say, this film offers down an improved, streamlined
version of the story. Plenty from the original Batman: Under the Hood is
left out, but what’s left is the real meat. That’s not to say it’s perfect, it
has a couple ‘face-palm’-worthy moments, but it’s an invigorating and fast-paced
flick.
I found Winick’s work on the dialogue really added a fresh
spin to the movie. It’s quick, witty, and allows for some great observation and
interaction between the cast. Nightwing, naturally, gets plenty of great lines
off of Batman, and Winick allows the crimelord Black Mask to chew some major
scenery whenever he appears. The dialogue is solid and the film in general is
pretty well-structured, taking a look at some deep issues and building up this
great story to a powerful, intimate ending. The final scene? Perfect, perfect,
perfect.
And as sharp as the story is, the animation is also up there. I
found the animation on display here was pretty amazing with only a couple
exceptions. This is possibly the best animated effort since Green
Lantern: First Flight. Everything looks smooth, slick, and nearly perfect.
Whether it’s a quiet scene or a full-out brawl, the quality is hard to deny. In
fact, the film’s ability to move from an epic-like battle, such as the Batman/Nightwing/Amazo
three-way battle, to a more intimate duel, like the Batman/Red Hood tussle
toward the end of the feature, adequately shows how the creative team here is
able to juggle the demands of feature. During the later conflict between Batman
and Red Hood, you’ll feel every punch, every face smashed into the wall, all of
it. It’s particularly brutal at times, causing me to flinch more than once.
Kudos to the sound team for making each connecting punch, each crack, sound just
painful.
And to quickly follow-up on the film’s fighting and intensity,
this movie earns its PG-13 rating. It’s a dark, twisted tale that parents may
want to keep away from the little ones. Thankfully, the mature subject matter,
the violence and occasional curse word and such, all flows together organically
so none of the mature content feels out of place here. Still, as noted by
others, the film is a bit inconsistent with how it represents the violence, and
is sometimes pretty sanitized. The opening sequence, where the Joker bludgeons
Robin with a crowbar repeatedly, looks pretty safe, though later we see blood
splatter across a wall after Red Hood literally blows off someone’s head.
Inconsistent to the point where it’s occasionally distracting, blood will be in
one frame and gone the next, but nothing that actually takes away from the
actual content of the film. The strong story and usually powerful voice-acting
makes it easy to completely miss the odd animation hiccup.
 And there’s
not a thing to worry about concerning the voice cast. In fact, there’s rarely a
flaw to be found here when it comes to the voice work. The major roles include
Bruce Greenwood (Star Trek) as Batman, Jenson Ackles (Supernatural)
as Red Hood, Neil Patrick Harris (How I Met Your Mother) as Nightwing,
Jason Issacs (the Harry Potter film series) as Ra’s Al Ghul, and John
DiMaggio (Futurama) as The Joker. I thought everyone hit their marks well
throughout the movie, with only the odd quibble. I found Issacs wasn’t given
enough to work with for his role as Ghul, but did pretty well for what he had.
Greenwood was a great, great Batman, only occasionally sounding a bit too horse
or raspy as the Dark Knight. Harris brought some great levity to the film as
Nightwing, despite his role being smaller than I would’ve hoped. Ackles was
absolutely perfect as Red Hood, selling every line and creating a multi-layered
and complex character. Ackles easily gives a standout performance as our
mysterious vigilante. And hats off to John DiMaggio for an absolutely riveting,
terrifying take on the Joker. Unique, creepy and pretty unforgettable. I got
chills during some of the Joker scenes here…the dialogue was just that good and
the execution even better.
Kudos to Brandon Vietti on his
direction, effortlessly juggling the big set pieces with the smaller moments
with ease. Whether it’s the big bridge showdown toward the climax, or the final
moments of the film, or even the tense-riddled pre-credit sequence, Vietti nails
it all. All of this is aided with the superb musical compositions of Christopehr
Drake, who hits it out of the park yet again here. Drake has managed to bring
his A-game to each of DC Universe Animated Original Movie titles, and this is no
exception.
Save for what’s previously mentioned, complaints are minor for
Batman: Under the Red Hood. It seems that while the creative
teams on these features are starting to get a grasp of creating a full feature
with a limited 75 minute time-frame, there still seems to be a couple
time-crunch problems. I find that there could easily have been a few instances
where the action could have been cut to make room for the movie to breathe some.
As enjoyable as it was, the Amazo sequence could easily be jettisoned in favor
of, well, more Red Hood. The film doesn’t feel rushed at all, and does unfold at
a nice steady pace, but it’s only after that fact where one begins to realize a
couple things could be excised to let the movie breathe. Plus, Nightwing
vanishes about a third into a movie and then promptly disappears until a silent
cameo toward the end. It would have been nice to have seen more of him, even
just to provide some levity as the film dips into some very dark territory as it
heads into its final moments. Still, the film never loses focus so the flaws are
barely noticeable.
Before I move on, I feel the need to point out an
absolutely mind-boggling observation made by Alfred during the film as he and
Batman unearth a body during a late night graveyard excursion. I won’t spoil it
here, but it’s simply baffling and surprisingly jarring because you’d never
expect to see a comment so stupid come from someone like Alfred Pennyworth.
You’ll know it when you see it.
A mature and faithful take on the Batman
lore, fans of the Dark Knight really shouldn’t pass this up. The storytelling is
solid, the animation is top-notch, and the cast and crew really pull out all the
stops to give fans a solid character-driven action drama. It’s a really fine
Bat-film that, while not succeeding them, can stand shoulder to shoulder with
the likes of Batman: Mask of the Phantasm and Batman
Beyond: Under the Red Hood. This is one movie you need to experience on in
the best format possible. No downloads or torrents, but DVD or Blu-ray. It’s
just better that way (and besides, you shouldn’t be illegally downloading this
stuff anyway, but actually supporting these releases by purchasing them).
A stunning, action-packed emotional ride, Batman: Under the Red Hood is
an unquestioned Must Own for Batman fans.
The Blu-ray:
Warner Home Video brings Batman: Under the Red Hood to Blu-ray with a
standard Elite Blu-ray case housed underneath a reflective foil/embossed
slipcover. Inside is the standard “digital copy” insert code, among other
leaflets, and the disc itself. Revving up the disc and jumping past the main
menu, it seems as though a little more effort has been put into this release
than past DC Universe Animated Original Movie titles.
First up is the
presentation for the film, which is generally positive. Batman: Under the Red
Hood does look pretty excellent in beautiful high definition, but it’s not
perfect. The image is crisp and clear, yes, but the transfer does suffer from a
bit of color banding and some slight artifacting. It’s pretty easy to dismiss,
and not even notice, though the colorbanding is most apparent during the opening
credit sequences, which looks somewhat muddy compared to the rest of the film.
But, like I said, the movie looks great, even with a small hiccup here and
there. The audio, on the other, is really excellent. We actually get a DTS-HD MA
5.1 track on there…the first lossless track in quite a long time for these DC
Universe Animated Original Movie line. It doesn’t seem like the speakers get
quite the workout they should, but it’s still a vast improvement over the
previous DD5.1 tracks. I though the action scenes could be punched up a little
more, but I can deal with a merely adequate HD audio mix. However, I am
expecting the next animated DC DTV to sound epic.
And now…the extras.
Warner Home Video has been skimping on bonus content over the last few DC
Universe Animated Original Movie releases. It seems they’re starting to slowly
turn things around here. Yes, there’s still no behind-the-scene content on the
actual film, but we do get some actually enjoyable featurettes and another
excellent DC Showcase animated short
First up the DC
Showcase: Jonah Hex animated short, in high-definition, running just shy of
12 minutes but making every moment count. Personally, I found this short to be
easily superior to the DC Showcase: The Spectre short. The animation is
stunning, particularly the lush backgrounds, and the voice work is solid all
around. Thomas Jane is pitch-perfect as Jonah Hex. The story is pretty basic,
Hex comes to collect a bounty, stumbles upon a murderous plot, but it’s executed
in a nice steady pace, occasionally pierced with ear-popping violence. Easily
rewatchable and highly, highly enjoyable, Warner knocks it out of the park with
DC Showcase: Jonah Hex, easily schooling the recent live-action Jonah
Hex feature on how it should be done.
 The two main bonus features on
this release look at the comic book history of the first Robins, particularly
Dick Grayson and Jason Todd. Pretty appropriate, given the content of the main
feature. “Robin: The Story of Dick Grayson” runs for just over 24 minutes and
covers Robin’s entire history from his early days at Batman’s chummy sidekick to
the dark avenger Nightwing. While the featurette looks at the basics
of the characters, commentary tends to dip a bit into the mythological aspects
of the character, his costume, what his position as a sidekick means, etc.
Definitely some interesting talk on the character, though at times some of the
commenters go a bit overboard with the symbolism and mythology aspects of the
character. The same happens in the “Robin’s Reckoning: The Tale of Jason Todd”
featurette. Still, the featurette has a great hook with the fan-driven death of
the second Robin, and is actually (in my opinion) the more entertaining
featurettes of the two. The featutte is definitely meant to be watched after
viewing the Batman: Under the Red Hood main feature. Still, two top-notch
featurettes that are probably the best comic-based featurettes produced for
these DTVs to date. Both featurettes are in standard definition.
Next up
is the First Look – Superman/Batman: Apocalypse featurette, which
is pretty self-explanatory. The standard definition featurette looks at the cast
and crew of the next DC Universe Animated Original Movie, showing storyboards
and model sheets from the flick. Providing a rundown of film and the comic of
which it is based, it’s a pretty standard tease for the next feature.
The Blu-ray release for Batman: Under the Red Hood wraps up with
four episodes from Batman: The Animated Series (“Robin’s Reckoning, Parts
1 and 2,” “The Laughing Fish,” and “Mad Love”) and mix of trailers and ‘first
look’ featurettes for other related releases (Jonah Hex Motion Comic, The
Lord of the Rings (Animated), Legend of the Guardians, Justice
League: Crisis on Two Earths, Batman: Gotham Knight, Superman:
Doomsday). All of this listed content is in standard definition.
Complaints on the bonus content remain pretty much the same. All bonus content
should actually be in high-definition, we should get some commentaries and some
behind-the-scenes featurettes focused on the actual film itself. Sadly, based on
early details, the next DC Universe Animated Original Movie title, Superman/Batman:
Supergirl, won’t be fixing that. However, the content of what we got here is
definitely a step-up from previous releases even if it is still lacking in some
areas.
Wrapping up, and taking the main feature into consideration, the
Blu-ray release for Batman: Under the Red Hood is a pretty solid package.
Not perfect, as noted above, but definitely a worthy addition to any Batman-fan
or comic-fan’s library. A great, dark intimate tale of revenge and consequences,
this latest installment of the great DC Universe Animated Original Movie line is
probably the best of the line yet, and easily ranks alongside the classic greats
like Batman: Mask of the Phantasm and Batman Beyond: Return of the
Joker. The main feature is a great treat for any Batman fan, and the bonus
content is good for what we get, so it’s safe to peg the Batman: Under the
Red Hood Blu-ray release as a Must Own.
[ Back to
Reviews ] |
Batman, Joker, Red Hood and related characters
and indicia are property of DC Comics and WB, 2012.
The World's Finest and everything
relating to this site - copyright, 1998 - 2012.
Proudly hosted by toonzone and popgeeks.. Contact us |
|
|
