|
|
Backstage - Judd Winick Interview
WRITER JUDD WINICK BRINGS CHARACTERS FROM PAGE TO SCREEN IN
BATMAN: UNDER THE RED HOOD, THE NEXT DC UNIVERSE ANIMATED ORIGINAL
FILM COMING TO DVD JULY 27, 2010 Judd Winick has returned to
Gotham City with a vengeance. The award-winning cartoonist has successfully
transitioned one of his benchmark storylines from comic book pages to animated
film with the upcoming release of Batman: Under the Red Hood, the latest
entry in the popular series of DC Universe Animated Original Movies.
Born
and raised on Long Island, New York, the University of Michigan graduate gained
national fame as a cast member of MTV’s The Real World, San Francisco in
1994. In the wake of the death of his Real World roommate and friend, AIDS
activist Pedro Zamora, Winick embarked on a national AIDS education lecture
tour. Later, the lecture and his friendship with Zamora was documented in his
award-winning graphic novel Pedro And Me.
Winick next created his
original comic book series, Adventures of Barry Ween, Boy Genius, and
then began a long running stint as one of the top writers on mainstream super
hero comics. Winick has scripted such titles as Batman, Superman, Green Lantern,
Trials Shazam, Green Arrow and Outsiders (for DC Comics), Exiles (for Marvel)
and Star Wars (for Dark Horse). He also was the creator and executive producer
of Cartoon Network’s animated series The Life and Times of Juniper Lee.
He is currently developing live action television and animation, writing the
new bi-weekly comic title for DC Comics Justice League: Generation Lost,
as well as the monthly Power Girl.
In 2005, Winick presented his
Red Hood storyline in the Batman comics and it was met with tremendous sales
alongside powerful waves of controversy. He has evolved that story into the
script for the all-new DC Universe film, Batman: Under the Red Hood. In
celebration of the film’s July 27 street date, DC Comics will distribute a
six-issue mini-series, Red Hood: The Lost Days. Written by Winick and
drawn by Pablo Raimondi, the mini-series offers greater insight into the back
story of the title character.
From the producing triumvirate of Warner
Premiere, DC Entertainment and Warner Bros. Animation, Batman: Under the Red
Hood will be distributed by Warner Home Video as a Special Edition version
on Blu-Ray™ and 2-disc DVD, as well as being available on single disc DVD, On
Demand and for Download.
Winick is thrilled with the way his words have
transitioned from comic/graphic novel to screenplay to animated film in the form
of Batman: Under the Red Hood, and is only too happy to talk about the
end result. Here are some of his thoughts …
QUESTION: What was the greatest
challenge in taking your graphic novel to script format?
JUDD WINICK:
I had to take two years of story and boil it down to 75 minutes of film, and
that’s a challenge and liberating at the same time. It forces one to cut out all
the fat and get to the heart of it. It’s about making a movie. And for those who
know anything about movies, it’s about putting one foot in front of the other,
building from one scene to the next to the next and so on. There are no
cul-de-sacs or crossovers – it’s all about getting the story to its essence.
QUESTION: Were you disappointed with what you needed to cut out?
JUDD WINICK: Actually, I was thrilled about what went in. I’m really, really
happy that the emotional core of the story is still there. We don’t really get
to tell stories like this in animation. The opera of it all is usually reserved
for live action. This story is about characters actually emoting and dealing
with horrible situations. Animation usually gets just the action and the
visualization, and not the characters actually feeling anything. So it was nice
we got to do that.
QUESTION: Can you describe the gratification of
watching your words come to animated life?
JUDD WINICK: It’s great.
And I don’t mean to take anything away from writing for comics, as this is just
a different form of story telling. One of the fun parts of writing for film is
that it allows you the freedom for your characters to just shut up and fight. We
can’t do that in comics – there always has to be some banter or internal
monologue. More importantly, it’s gratifying to see the words and action come to
life in all the ways film affords – through incredibly talented actors giving
the words all that emotional impact; and to see the characters actually fight
and run and yell and shout and cry. They become living, breathing beings. That’s
a very exhilarating experience for a writer.
QUESTION: Do the voices
of Bruce Greenwood, Jensen Ackles, Neil Patrick Harris and John DiMaggio match
what you had in your head while writing the dialogue?
JUDD WINICK: I’ve been writing these
characters for years, and it’s remarkable the job those actors did. Greenwood is
about as Batman as you can get – which is exactly what you want. You don’t want
to be surprised – as soon as he speaks, you want to say to yourself, “That’s
Batman.” Nightwing is exactly as I’ve had him in my head – Neil Patrick Harris
couldn’t possibly do it better. I’d like to do an entire feature with Bruce
Greenwood as Batman and Neil Patrick Harris as Nightwing.
Red Hood is
funny for me because I thought I’d written this character in this incarnation
more than anyone else, but I had no clue what he’d really sound like. And yet,
when Jensen speaks, that’s the right tone and timbre. As far as Joker, that is
one of the truly great characters that I think needs to be left up to
interpretation. There’s only been a handful of people who have created Joker –
Mark Hamill set the standard for animation, then you’ve got Jack (Nicholson) and
Heath Ledger. But John (DiMaggio) has such versatility, he could go anywhere
with it, and he made it totally his own. He really gives a very big and gruff
and masculine performance, so deep and throaty and bass. He’s wonderfully scary
and really gets the job done.
Wade Williams as Black Mask absolutely
cracks me up. He’s like a lion. Honestly, what came out in the animation came
directly out of his performance. Wade made him into a caged animal who might go
off at any second. He’s constantly roaring, which is an entirely different take
than I anticipated and that’s awesome. That’s an actor making decisions and
making it his own and really hitting the mark.
QUESTION: Executive
Producer Bruce Timm says your pitch was unorthodox in that it was over the phone
and yet was absolutely perfect and completely sold him. How’d you pull that off?
JUDD WINICK: I’d given a rougher pitch to Gregory Noveck (DC Comics’s
Senior Vice President of Creative Affairs) and he loved it, but we had to pitch
it to the gang. The schedule worked out that I had to be in San Francisco, and
they had to be in Burbank. That’s not the ideal way to pitch, especially for me
– I like to jump around a lot, shout a lot, wave my hands and be theatrical.
That’s especially true for this pitch because it’s a very emotional script. I
kind of sold the idea in the first five minutes of the pitch, which was
essentially describing the first five minutes of the movie.
I thought
this would be a cool animated feature, but to really tell this story, we had to
find a way to show Robin dying. We had to get the history in quickly to start
the movie with that emotional smack. So I’m on my head set, going through this
scene, talking about Batman barreling down the street of Sarajevo, the Joker
beating Robin to death,. I’m banging my hands on the desk, yelling as loud as I
can, and by the time I said “Fade to black, cue to opening credits,” it was just
dead quiet on the other end of the line. I said, “Is everybody still there?” And
they said, “Yeah, that was awesome.” Done. Sold.
QUESTION: How did you
first enter the Batcave as a fan?
JUDD WINICK: Like many people of my
age, I’m sure I was reading the comics but I remember watching the TV series
more – and not really liking it. It didn’t quite feel right. I know I enjoyed it
more like watching Super Friends, but I really gravitated toward the comics more
than anything. The series wasn’t dark enough. It didn’t have the edge I wanted
in my Batman. Ultimately, the TV show gave me a sense of what I didn’t want
Batman to be, even back then.
QUESTION: For The Real World fans
out there … do you have any inclination to do another reality show?
JUDD
WINICK: I would say NEVER. Laughs. Doing reality was like elective surgery.
I got the nose job, it worked out just fine. I don’t need a touch up, and I
don’t need another one. When they started to do the follow-ups, we just kept
saying “No” until they stopped asking us. We have jobs and responsibilities and
really don’t need the money or the humiliation. And most importantly, we had a
fairly extraordinary and terrible experience during the show and still came out
positively. We are very lucky in that way, and I would not assume to tempt fate
and do anything like it again.
QUESTION: Do you feel Batman:
Under the Red Hood fits into Batman’s current live-action film tone?
JUDD WINICK: I’d say Christopher Nolan’s The Dark Knight was sort of
the catalyst. After seeing that film, it got my juices going thinking that we
could do something like that with a Red Hood arc. At the time, I didn’t even
know what Warner Premiere was working on. It all started with a quick email to
Gregory (Noveck) asking if they were looking for any more Batman features.
Comics and film present very specific camps for the characters and the stories.
Animation should be its own genre that straddles between the two that can give
comic fans the product their hoping to see, and provide a new vision for the
fans who only know these characters in the most mainstream way.
QUESTION: Do you like presenting your stories in animated form?
JUDD
WINICK: I really do. I’m a cartoonist. I don’t draw for money, and mostly
what I do is the writing. But that’s how I view myself more than anything else –
as a cartoonist. I grew up on animation, and I always loved knowing that the
cartoons on the page could actually come to life. I worshipped at the alter of
Chuck Jones, and realized at a very young age that one guy did all the things I
love best. I love it as a medium and I love how it’s evolved. Animation features
have exploded – there is more high-end animation being produced now than ever
before, and I think that’s great.
Suggested captions for attached
images:
JuddWinick.jpg Judd Winick has adapted his own
comic book series into the screenplay for Batman: Under the Red Hood, the
next DC Universe animated original movie. The film will be distributed July 27,
2010 by Warner Home Video.
Batman_Holding_Robin.jpg Batman
holds a lifeless Robin in one of the emotionally charged opening scenes of
Batman: Under the Red Hood, the next DC Universe animated original movie.
The film will be distributed July 27, 2010 by Warner Home Video.
Joker_Crowbar.jpg The Joker pushes the boundaries of violence and
cruelty in Batman: Under the Red Hood, the next DC Universe animated
original movie. The film will be distributed July 27, 2010 by Warner Home Video.
RH_02.jpg Part vigilante and part crime lord, Red Hood stays one
step ahead of his foes in Batman: Under the Red Hood, the next DC
Universe animated original movie. The film will be distributed July 27, 2010 by
Warner Home Video.
[ Back to Backstage ] |
Batman, Joker, Red Hood and related characters
and indicia are property of DC Comics and WB, 2012.
The World's Finest and everything
relating to this site - copyright, 1998 - 2012. Proudly hosted by toonzone and popgeeks.. Contact us |
|
|