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INTERVIEWS
Marvel
Animation Age recently went to the fans in order to
bring together the latest Greg Weisman Q & A, allowing
fans to submit questions for the supervising producer of
The Spectacular Spider-Man. And the fans
responded, submitting an incredible amount of queries,
out of which Marvel Animation Age picked the following.
With the second season premiere of The Spectacular
Spider-Man now upon us, Greg Weisman sits down with
us yet again to answer your questions. Take it away,
Greg!
When working on a series, such as The
Spectacular Spider-Man do you always know exactly
how you plan to end it? How far ahead is this show
planned without giving away any specific spoilers?
(James)
I have a vague plan for the
entire thing, but I really only plan out a season at a
time in any detail. But in order to plan out any
individual season, I need to have a clearer sense of the
season that follows. So the general thrust of Season Two
was worked out during the prep of Season One. And the
general thrust of Season Three was worked out during the
prep for Season Two.
I love The
Spectacular Spider-Man so much! I just wanted to
know, what was the hardest part about making this show?
(Alex)
The production schedule –
particularly when Seasons One and Two overlapped. There
were five truly brutal months for Vic Cook and myself.
If you could redo one aspect of The
Spectacular Spider-Man, change one thing, what would
it be? (Marc)
[Shrugs.] I’m not saying
it’s perfect, but nothing leaps out at me as THE ONE
THING that I wish I could change.
What is
it like working on The Spectacular Spider-Man, a
character which has a huge amount of history behind him,
as opposed to the other shows that you’ve produced and
developed? (Andrew)
It’s just fun. I’m a
big Spidey fan, so it’s just a blast to be working with
these classic characters and do our best to be true to
them.
What is your opinion on the last
few Spider-Man cartoons that have aired over the past
couple decades? And why is this one different? (Mary)
I know we’re setting ours in high school as Stan and
Steve did initially, and I’m pretty sure no other
cartoon has done that. But I haven’t seen much of any of
the more recent animated Spideys, so I could be wrong.
Once upon a time I was very familiar with the sixties
cartoon, but I haven’t seen that one in years either.
This is a bit of a complicated question, so
I'll state it as clearly as possible. As far as I can
tell, 'uncensored content' was only used in the DTV
movie edits during production of The Spectacular
Spider-Man. However, you've also stated that the
team stopped producing the movie cuts after the Master
Planner arc. What does this mean for the remaining two
arcs? Were 'episode format' versions produced with real
gunshot sound effects, specifically in the case of
"Accomplices" and "Gangland?" (Jesse)
No. Our mixes with more footage and different sound
effects were only for the now-discontinued movie
versions.
After reviewing season one, and
before doing season two, was there anything you looked
at during the first season that you wanted to make sure
was better in the second? (Ollie)
Generally, we wanted to top ourselves, I guess. But it’s
not like we looked at Season One and said, “Wow, we
really messed up. We better fix this mess.” Cuz we
pretty much liked Season One a lot. (Though, of course,
we may be biased – like any proud parents.)
I read online that the second season was done
without following any specific broadcast censors. Does
this mean that The Spectacular Spider-Man will be
edited when it airs on Disney XD? How do you approach
the level of violence when working on this show? (Skeets)
Season Two was written without Disney’s input. But
their Standards and Practices department did have input
on the second season’s post-production. They didn’t
censor anything. The sound effects notes they gave were
exactly the same as the sound effects notes that KidsWB
gave on Season One. You’ll see no difference between the
seasons from the standpoint of Standards and Practices.
When you make changes to a character, how do
you decide what to change? You made Eddie Brock a friend
of Parker instead of a colleague of his from work. You
also made Gwen a bookworm and you made big changes to
Tombstone. How do you come up with these specific
changes and why? (Klonoa)
In every case,
we try to get to the core of the character, i.e. find
out what made that character important to the Spidey
mythos. Gwen was ALWAYS a bookworm, a science major,
second only to Peter in brilliance. It just wasn’t as
obvious in college, cuz she was such a hottie. But we
extrapolated backwards to what she might have been like
in high school before she “bloomed” so to speak. Venom
seemed to us to be the anti-Spider-Man, so we wanted to
give Eddie as much in common with Peter initially as
possible. We wanted to make them friends so that the
loss would be greater. As much as Pete valued life, we
wanted Eddie to be that fascinated with death – and by
putting their parents on the same plane, it helped us
accomplish all of these things. As for Tombstone, I’ll
admit he was taking Kingpin’s usual role in our series,
but it really seemed to fit him nicely. I mean, just
look at the guy. He LOOKS the part, and to some extent
the core of his character WAS the look and the name. We
felt we’ve been VERY true to the Tombstone name.
What do you think about the treatment of the
series since it has premiered? Kids'WB! ended right
after it started and it became TheCW4Kids and now the
show is on DisneyXD. Are you worried fans might lose
track of the show? (Paul)
It’s a
concern, of course, but ratings have steadily improved
for us on Disney XD, so there’s no reason not to feel
positive about the switch so far.
What do
you think of the individual DVD releases for The
Spectacular Spider-Man and why was the "movie
format" dropped after just one DVD? Will we be seeing
lots of behind-the-scenes stuff on the season one DVD?
(Dave)
I really wish the movie format
had not been dropped. There are scenes deleted for time
from the episodes that were put into the movie. Nothing
earth-shattering, but some neat stuff (like Shocker’s
escape at the end of “Group Therapy”) that now you won’t
get to see.
Do you think that it
was a good idea for Disney XD to air Season One first
rather than skipping straight to Season Two? Why? (Spaceway)
I definitely think it was a good idea for them to
air Season One first. Give viewers who may have missed
it on broadcast television the chance to catch up. I
personally wish they had aired it over (at most) four
weeks (i.e. an arc per week) as opposed to thirteen
weeks, but I don’t run the network.
On behalf of Spider-Man fans,
I'd like to thank you for giving us a real Spider-Man
cartoon after so long. What kind of mark do you hope The
Spectacular Spider-Man leaves when it is finished?
(Spider-Ham)
Our goal, both arrogant and
naïve perhaps, was to create THE Spider-Man show that
people would remember decades from now. That’s still our
hope.
Even Gargoyles fans managed to
get at least one question in!
Have
you ever considered rebooting the Gargoyles franchise?
As much as I love the Gargoyles, I'm old enough to
remember when it first aired, sometimes I feel it could
use something new. (Dalgrod)
Have you
checked out the GARGOYLES comic books? They pick up
right where the series left off, and we’re very proud of
them. All the issues are now collected in three trade
paperbacks. “Gargoyles: Clan-Building, Volume One” is
already available through Amazon and other bookstores.
“Gargoyles: Clan-Building, Volume Two” will be out in
July 2009, and “Gargoyles: Bad Guys: Redemption” will be
out in August 2009.
The Marvel Animation Age and would like to thank
the fans for submitting their questions and Greg for his participation in this interview, and his work on the show.
Cheers Greg!
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