Creator Q & A with Producer James Tucker
James Tucker: I wasn’t that surprised by the fan reaction to Aquaman because I knew when John DiMaggio first voiced the part as written by Joe Kuhr that we had cracked the code on what made this version of Aquaman work. We weren’t trying to make him a bad-ass, we just wanted him to be a likeable, good-humored, warm-hearted, big lug but who was also a dedicated father, king and hero. In other words, we made him a real person and gave him a strong and distinct personality that audiences could relate to . The other great thing about Aquaman is he’s a superhero that knows he’s a superhero. He’s not ashamed of wearing tights and standing with his arms akimbo. He knows that’s just part of the job description and I think audiences were ready for a superhero character who wasn’t all gray morally and complicated. I always wanted our show to kind of feel like comfort food for a world going through hard times, in the best tradition of real family shows with simple, easy to know characters that you want to spend a half hour with in your home. WF: “Sword of the Atom!” features a new musical number. Can you give us a rundown of the song, where the inspiration comes from? Will this be the last musical number we see? JT: Michael Jelenic,the show’s co-producer, wanted to do a teaser that was based around an old school 60s-70s sitcom featuring Aquaman and family. I thought it was a nutty idea (like many of Michael’s ideas!) but then I realized that every old school sitcom had a theme song, so then I got on board with the idea. The song was a parody of the openings to The Addams Family and a short lived sitcom called The Pruitts of South Hampton with a touch of McHale’s Navy thrown in. I wrote it and then Michael McCuistion came up with the music for it that gave it the proper nautical feel. I think it turned out to be a hummable hoot! WF: The episode features both the original Atom – Ray Palmer – and the new one – Ryan Choi. What is distinctly different about these two Atoms? JT: Ryan is different from Ray in our universe because we imply that he was recruited to be a superhero whereas Ray chose to be The Atom. Ray is a very standard do-gooder type hero, Ryan thinks of himself as a scientist first and a very reluctant hero second. One of the things I loved about working on this show was being able to present the legacy aspect of DC Comics in a coherent way to non comic book fans. The fact that these superheroes are often the family and friends of superheroes that came before them and that there’s honor in carrying on the legacy of a superhero name really appealed to me. I think we managed to do it in an understandable and hopefully entertaining way.
JT: The only thing I can say that isn’t too spoilery is that the inspiration is loosely based on the ‘Sword of the Atom’ story from a while ago where Ray Palmer goes ‘native’. We took a lot of liberties with it but I think we kept the tone intact. The montage of Batman/Atom cases at the start of the episode helps contextualize the new hero we’re introducing to audiences who aren’t familiar with. It’s something we also did in the Barry Allen Flash centered episode that worked really nicely. The main reason though is that we get to throw in a bunch of easter eggs in the form of villains and it was just a lot of fun for us personally to be able to fit all those characters into an episode. WF: So, to wrap this up, what type of challenges do our heroes face in this episode? Give us a couple teases as we head into the latest adventure! JT: The episode is basically about a hero lost, a hero being found and a hero finding himself. Basically Heart of Darkness with giant spiders! It’s chock full of the usual Batman: The Brave and the Bold action and laughs courtesy of the comedy gold that Ryan Choi and Aquaman team!
Review (Andrew)
Review (klammed) Main: If the title hadn’t been enough to warn you, you should be glad to know if you’re an Atom fan, and even if you’re not, that this episode is full of Atom homage. Straight up Silver-Age Atom with the appearance of Ray Palmer. Not so straight up modernization with the mention of Ryan Choi, who appeared in recent comicverse. After initial background courtesy of Batman, and leaving him in a precarious situation, we shoot to Ivy University, the location of Ray Palmer’s heroic beginnings, also that of Ryan Choi. Ryan Choi’s characterization came off as fresh, and his interaction with Aquaman was made of gold. Where previously you had the over-confident (Booster Gold) or the over-enthusiastic and naïve (Blue Beetle) paired with the more serious, somber, almost reluctant-mentor Batman, here the inverse is true. Sure, Ryan Choi is depicted as established, or rather, retired as a hero, but he is still of the ‘second’ generation, as it were, in comparison to Aquaman and Batman in this universe. The reluctant hero type was played very well, and very humorously throughout this episode. Best lines had to come from Aquaman though, including, but not limited to ‘Never trust an Amphibian. Land or Water, choose a side!’. The silverfish joke was great as well. Loved that Aquaman got the last line of the show, making this ironically more an Aquaman episode than most of the previous where he insisted on his own title cards, with him both getting the first and last lines of the episode if you include the teaser. As for the world depicted in the Amazon jungle, it recalls the Sword of the Atom specials after the Palmers divorce, though that sketchy section of comic lore history is avoided in this. Apart from the name change, the Kathartians (spelling?) resemble the Morlaidhans from the specials, with a similar backstory of aliens being marooned in the jungles. I shall avoid elaborating on how the leader looks like a rather typical Asian/Oriental evil dude, what with the no hair, the moustache, and the deep slants suggested by warpaint/eyeshadow. That would involve too much referral to post-colonial theory, but let’s just say the ‘evil foreigner’ impression in the likes of Jafar or the Monguls in Mulan comes across quite apparently. Design gripes aside, the visuals in last third of the episode work beautifully. Very nice camera work in the storyboarding, especially during the fight with the naked mole rats (sounds bad, I know), which flowed seamlessly, and the short monologue by the evil leader. Also, all the issues I had with plot and pacing in the previous episode didn’t surface in this one. Structure wise it was very well laid out, with initial prologue, followed by the quests of the different characters, the climax battle, and the resolution. Very much laid out in the way of a heroic quest tale. In the case of Ryan Choi, it was almost as if he was fulfilling a Telemachus like trope, that of a young man being led on a journey in which he finds out more about his predecessor and in so doing, comes into maturity and his own identity. There is probably much more to be picked out if you wanted to, and I feel this episode was certainly rich enough to lend itself to such analysis. Good story, good fun, good jokes, good visuals make for a great episode overall. Homage, while present, does not require extensive knowledge of Atom-lore for the enjoyment of the episode, nor does it hinge on homage to propel plot. This has always been a strength and one of the major delights of the show when well executed, as it certainly is in this episode. Definitely recommended. [ Back to Reviews ] |


















