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Episode #29 & 30 – Tabula Rasa Part 1 & 2 Original Airdate – October 4th 2003 J’onn J’onzz has a crisis of conscience while Lex Luthor gains control of Amazo, a powerful android who can copy the powers of the entire Media by Bird Boy | Credits: Written by Stan Berkowitz Directed by Dan Riba Music by Lolita Ritmanis Animation by Dong Woo Animation Co. LTD. Voices: |
Screen Grabs, Part 1 Screen Grabs, Part 2 |
| Review I have had the fortune while here at Toon Zone to review several new shows of late. Wonderful stuff, however it’s now getting to the point where I am beginning to either doubt my own critical skills, or the universal law of averages. Bluntly put, another corker my dear chaps and chapettes. This is the year to make merry – at least so far as animation is concerned. The story at it‘s most simple? Luthor is back and in as poor shape as his last outing in season one’s ‘Injustice For All’. In his efforts to find help in curing – or at the very least sustaining – his current condition, Lex stumbles across an android whose singular power could spell the end for the Justice League… and maybe us all. It’s nice to see Justice League in a position to start building on it’s own foundations. Rather than slipping back to the more traditional Lex/Superman divide, we find Lex in a situation as bad as previously in ‘Injustice ‘Tabula Rasa’ gives AMAZO his introduction into the animated DC universe. His personal story and motivation is a little uninspiring. We have seen the ‘manipulated aggressor’ story pitch in many shows in many genres. In that sense there is nothing new here. That said, as his personal predicament is not the key attribute to the plot, this character doesn’t weaken the story in any way. In all fairness, being a character from the comics (‘The Brave And The Bold’ being his first outing) there are certain limitations to what can be done with the character without straying too far from it’s source. On screen, the massive power of this android stretches credibility in a way that would have seemed less obvious in paper format. It certainly doesn’t take from the story, but if there is any criticism to be laid at ‘Tabula Rasa’, it’s that AMAZO isn’t a character that realistically translates too well onto the TV screen. The story moves at a good pace – the show certainly feels more comfortable in the two-part format now. It glides smoothly without too much predictability. If ‘Twilight’ was a little overburdened and occasionally convoluted, ‘Tabula Rasa’ makes up for that error. We have some interesting sub plots. The ‘B story’ – which consists of J’onn’s uncertainty of mankind’s worth – would jar if wedged into one episode, but becomes a welcome and rather touching distraction in this two part story. As a side note, I’d be interested if J’onn and Diana’s intimate hug will cause a stirring in fandom as Bruce and Diana did in season one. Regardless, it’s a lovely scene that again gives the action orientated show a friendly breather. The animation for this episode is pretty good. Occasionally some of the fore-shorted shots look a bit odd (watch out for J’onn disappearing into the woods – he seems to get far too small in relation to the background) however any transgressions are made up for with some fantastic fight scenes. What makes these battles stands out is some sharp storyboards and some superb animation. One particular sequence that impressed me was For me, the best element of the story was the use of characters. It was nice to have the whole team getting full coverage and for the second time this season, Hawkgirl gets some much needed limelight. Green If Hawkgirl’s screen presence mimics that of ‘Twilight’, so does Batman and Superman’s deepened relationship. Once more, we see the two working alongside each other, this time in a more positive manner compared to Another attribute I felt was carried from the season premiere is this slight alteration to Superman. He no longer seems to be the clean Boy Batman is as enjoyable as ever and as usual, he’s popping by to save the day – however not always achieving it. He sports some great lines and offers motivations akin to his comic JLA counterpart – in particular the kryptonite he keeps in his pocket for ’protection’. A nod to the cautious JLA Bruce of the comic world as well as a continuation of the equally wary animated Batman. We have some great music as well – look out for several underlined motifs. I would imagine Batfans will feel their flying rodent shaped hearts swelling with nostalgia. The battle scenes are complimented with some great incidental scoring as well. As usual, I must offer a nod to the cast, all of who do a fine job. Overall, it’s a great story. All the plot lines tie up nicely for the great finale, which itself is a chilling end to the tale. Personally I enjoyed this a little more than ‘Twilight’. It was less messy, better paced and generally a smoother story. It didn’t burden itself with too many plot strands and as such, it allowed what was there to play out with the space and quality required. ‘Twilight’ and ’Tabula Rasa’ are definite examples of a more mature |




























































































































