According to San Diego Comic-Con 2010 panel details, the fourth DC Showcase animated short is DC Showcase: Superman/Shazam! – Return of Black Adam, which will anchor a special DC Showcase Blu-ray/DVD compilation home video release scheduled for later this year. The animated short will run 22 minutes in length, nearly double the length of a regular DC Showcase animated short.
Continuing, officials for the annual San Diego Comic-Con have released a schedule of planned events slated for the 2010 convention, including details on the convention’s world premiere of the latest animated short DC Showcase: Jonah Hex. The official details pertaining to the panel dedicated to the aforementioned animated short, and details on both future shorts and a compilation home video release, scheduled for Saturday, July 24th, 2010 at 3:00pm local time, are as follows below.
3:00-4:00 DC Showcase Original Shorts Collection: Jonah Hex, Green Arrow, and Beyond! Warner Home Video, Warner Premiere, DC Entertainment and Warner Bros. Animation roll out the next wave of DC Showcase animated shorts with the world premiere of Jonah Hex, an advance look at Green Arrow, and details regarding the upcoming compilation Blu-ray/DVD release anchored by Superman/Shazam!: The Return of Black Adam. Executive producer Bruce Timm (DC Universe Animated Original Movies), Jonah Hex voice Thomas Jane (Hung), producer Alan Burnett (The Batman), acclaimed comics writer and fiction author Joe Lansdale, and writer/producer Greg Weisman (Young Justice) present a peek at three never-before-seen shorts. Room 7AB
The 41st annual Comic-Con International San Diego will be held July 22-25, 2010, with Preview Night on July 21st, 2010, at the San Diego Convention Center. The convention is held every year, focusing on host of different genres and pop culture events. The complete convention schedule can be found at the official San Diego Comic-Con website. Warner Home Video is expected to released further details and official press information next week concerning the panel.
The World’s Finest was the first to report on a DC Showcase DVD and Blu-ray compilation home video release back in 2009. DC Showcase: Superman/Shazam! – The Return of Black Adam is scheduled for release later this year alongside a host of other DC Comics 75th Anniversary-related home video releases, including a box-set collection of DC Comics-based animated features and a special documentary home video release covering the first 75 years of DC Comics publications.
A co-production of Warner Premiere, Warner Bros. Home Entertainment Group, DC Comics and Warner Bros. Animation, the direct-to-video Batman: Under the Red Hood animated feature debuts July 27th, 2010 on DVD and Blu-ray disc from Warner Home Video. Jonah Hex will be included on the Blu-ray and Two-Disc Special Editions of Batman: Under the Red Hood. Stay tuned for further updates here soon at The Worlds Finest.
In related news, the live-action Warner Bros. Entertainment feature film Jonah Hex, based on the popular DC Comics character, has grossed slightly over $10 million as of this weekend according to box office receipts information.
The World’s Finest presents the latest in a series of studio-conducted interviews, provided by Warner Home Video, this one for the Jonah Hex DC Showcase animated short included on the home video release of Batman: Under the Red Hood. Continue reading below for the latest installment featuring actor Thomas Jane.
HUNG STAR THOMAS JANE FINALLY GETS HIS MAN AS JONAH HEX IN ALL-NEW DC SHOWCASE ORIGINAL SHORT
If at first you dont succeed, take the animated role.
Therein lies the lesson of Thomas Janes quest to play the role of comic book anti-hero Jonah Hex. The star of HBOs popular series Hung once lobbied to play the theatrical role of Jonah Hex and, though he fell short in that attempt, Jane has found another path to the character as the disfigured cowboys voice in the DC Showcase Original Short, Jonah Hex.
The all-new, animated Jonah Hex appears as a companion piece on the upcoming Special Edition Blu-Ray and 2-Disc Special Edition DVD release of Batman: Under the Red Hood, the latest entry in the ongoing series of DC Universe Animated Original PG-13 Movies coming from Warner Home Video on July 27, 2010.
In the short, the tough-as-nails bounty hunter always gets his man – until someone else gets to him first. In this case its a murderous madam who wants to steal more than just bounty from Jonah Hex. The animated short Jonah Hex is based on a story from the award-winning comic series, and scripted by renowned author Joe Lansdale. Jane leads a voice cast that includes Linda Hamilton (The Terminator), Michelle Trachtenberg (Mercy, Buffy the Vampire Slayer), Michael Rooker (Days of Thunder) and Jason Marsden (Spirited Away).
A lover of both comic books and westerns, Jane felt a certain kinship to the character and the result is clearly evident in his vocal depiction of Hex and the emotional range of the performance. Jane was the ultimate perfectionist throughout the recording process, never settling for good takes when great was attainable. From the original recording session through follow-up ADR, the give-and-take between Jane and the filmmakers including executive producer Bruce Timm was quite collaborative in achieving the final presentation.
Jane currently headlines HBOs Hung, though hes active in numerous other projects, including films being developed by his own production company, Raw Studios. Coincidentally, Jane founded Raw Studios with Timothy Bradstreet and Steve Niles, the screenwriter of the first DC Showcase short, The Spectre. Janes directorial debut, Raw Studios Dark Country, continues to play to rave reviews and enthusiastic crowds at conventions and festivals around the world.
No stranger to the fanboy/comics realm, Jane co-wrote his own comic book miniseries, Bad Planet. He played the title character in the 2004 version of The Punisher, starred in Mutant Chronicles, and had roles in both The Crow: City of Angels and Buffy the Vampire Slayer. He has drawn widespread acclaim for many of his non-fanboy roles, especially his turn as Mickey Mantle in the HBO film, 61*. His numerous credits run the gamut from Magnolia, Deep Blue Sea and The Thin Red Line to Boogie Nights and Face/Off.
After shooting all morning on the set of Hung, Jane came into the recording studio to put some final touches on his Jonah Hex performance and to chat about his attraction to anti-heroes, his adoration of comics, and how he came to (literally) rub elbows with Ringo Starr. This is what Thomas Jane says
QUESTION: This isnt your first run at the role of Jonah Hex, is it?
THOMAS JANE: Ive been a fan of the comic and the character and that whole western world. Im glad to be voicing the role, and I actually wanted to do the live-action film. When they were casting the movie, I had a guy come and do my makeup, we took some photos and sent them off to Akiva Goldman. I know some of those photos have leaked out online. They had a different director at the time, and Josh Brolin had just hit with the Coen brothers movie, so he had pick of the litter. And that spelled outski for me.
QUESTION: Did you do any research to voice the role?
THOMAS JANE: Well, I lived with a pack of wolves for a week up in the ponderosa foothills to perfect my growl (he laughs). No, mostly I just tried not to love my voice. I tried my best.
QUESTION: Any thoughts on the look of Jonah Hex?
THOMAS JANE: The animators did a great job in capturing the ugliness of the character. Hes not a pretty boy. He looks like hes been butchered by a blind barber. Hes mean as hell, and I cant imagine anybody wanting to make love to the dude. He must be awful lonely. And that just makes him meaner. Hes a true anti-hero, and I really love that kind of character. Hollywood doesnt do the anti-hero justice very often its a tough character type for the studios to understand. The closest you get these days is like (Michael) Chiklis on The Shield. Taxi Driver may have been the last great anti-hero film. Theres always good ones in video games, especially games like Grand Theft Auto. Actors and directors lover anti-heroes. Unfortunately, it doesnt seem to be the case with the rest of America right now.
QUESTION: Now that youre directing, has that perspective effected your performances?
THOMAS JANE: Im a lot nicer to the guy directing than I used to be. Im also a little more pragmatic. I understand the needs of the story on the whole, and Im less myopic in my view of the role as an actor. Im serving a machine, the story as a whole, so the mechanics of me trying to strike an emotional truth are counter-balanced by not gurgling into the microphone or throat clicking. Theres a balance between the technical and the emotional that you have to strike.
QUESTION: Did that directors perspective lead you to your asking to re-record so many lines after seeing/hearing your original performance?
THOMAS JANE: Im really interested in a great performance. Im interested in the texture of a performance and I understand that, especially in the animated projects, the human voice is really all youve got to connect with on a visceral, emotional level. Youve got the writing, the words, and the human voice. And thats what gives it life. So even more so than live action acting, I pay particular attention to the vocal performances.
QUESTION: Youve had the chance to perform the dialogue wild, and also to picture. Was it easier or more difficult to record the lines while seeing the actual animation?
THOMAS JANE: Its both. Without the animation, you have more freedom to make up the rhythm of the scene, and you can take more chances in your delivery because hopefully the director will choose an interesting performance, and the animators will animate to that performance. Once youre locked in and I come back to redo the lines, Im stuck with the rhythms that have been predetermined by the animators. But that also gives me structure, which affords me some other freedom in the delivery of the dialogue because then I have a set rhythm and I can play with the intensity of the performance.
QUESTION: How would you describe your relationship with comic books?
THOMAS JANE: I discovered comic books when I was about 8 years old and Ive been in love with them ever since. I thought Id outgrow it, and I sort of did in my 20s, but then came back full force in the my early 30s. Its because the medium is so powerful. As a kid, I thought of it as kid stuff, and then I grew up and found more adult material.
I never liked super heroes I was always drawn more to a great story. I even loved the illustrated classics like Moby Dick adaptations of a classic novel, or some of the original autobiographical stuff. And then theres all the independents Robert Crumb or Charles Burns or Daniel Clowes. The medium is so broad, much more so than film. Theres so much more room in comics for genres, styles, flavors, different auteurs. Thats what makes comics a great and timeless medium a medium that will always be a compelling way to tell a story.
QUESTION: Do you have a favorite western?
THOMAS JANE: I love westerns. One of my all-time favorites is High Noon and Stagecoach. Then theres Red River, and The Unforgiven. Even The Treasure of the Sierra Madre has the western themes. Thats what counts. I think you could make a western in a city so long as it has that western theme of an individual against the group. Man against nature. The outsider. Those themes are common to all westerns, but you can branch that out into other genres.
QUESTION: Which actors do you most like watching perform?
THOMAS JANE: My favorite actors are the still actors guys like Lee Marvin, Clint Eastwood and Steve McQueen, combined with Montgomery Clift, John Garfield, William Holden and Sterling Hayden. They were all guys who had something interesting going on underneath. That combination of stillness on the surface and a boiling underneath is pretty much my favorite way to go.
QUESTION: Whats the hardest part about being a celebrity?
THOMAS JANE: I think its the misconceptions that people have about you. When I met Ringo Starr, I went to shake his hand and he said, How about an elbow? So we rubbed elbows, laughed, and I thought, What the hell he doesnt want to shake my hand? But it was about germs he was going on tour and he didnt want to get sick. When I was on tour for Punisher, there were about 500 people in line for an autograph and wanting to shake hands, and I finally stopped. I got inventive. It was funny to be on that side of it. I figured that I had to shake several peoples hands over the next few weeks and chances were pretty high that I was going to catch something that would be bothersome. The point is that youre going to upset some folks when you dont act the way they think you should. But its got nothing to do with who you are. Its about taking care of yourself.
Suggested captions for attached images:
Thomas Jane-Jonah Hex.jpg Thomas Jane (Hung) voices the title character in Jonah Hex, the next DC Showcase Original Short which will be included on the Blu-ray and Two-disk special editions of Batman: Under the Red Hood when it is distributed July 27, 2010 by Warner Home Video. (Photo courtesy of Gary Miereanu)
JH_01.jpg Thomas Jane (Hung) voices the title character in Jonah Hex, the next DC Showcase Original Short which will be included on the Blu-ray and Two-disk special editions of Batman: Under the Red Hood when it is distributed July 27, 2010 by Warner Home Video.
JH_Smoke.jpg Sometimes the only way out of a bad situation is with gunfire and such is the case in Jonah Hex, the next DC Showcase Original Short. Thomas Jane (Hung) voices the title character. The DC Showcase Original Short will be included on the Blu-ray and Two-disk special editions of Batman: Under the Red Hood when it is distributed July 27, 2010 by Warner Home Video.
Town.jpg Trouble rides into town, and his name is Jonah Hex. The title character of the next DC Showcase Original Short is voiced by Thomas Jane (Hung). Jonah Hex will be included on the Blu-ray and Two-disk special editions of Batman: Under the Red Hood when it is distributed July 27, 2010 by Warner Home Video.
JONAH HEX and all related characters and elements are trademarks of and DC Comics. (s09)
For more information, images and updates, please visit the films official website at www.BatmanRedHood.com.
A co-production of Warner Premiere, Warner Bros. Home Entertainment Group, DC Comics and Warner Bros. Animation, the direct-to-video Batman: Under the Red Hood animated feature debuts July 27th, 2010 on DVD and Blu-ray disc from Warner Home Video. Jonah Hex will be included on the Blu-ray and Two-Disc Special Editions of Batman: Under the Red Hood. Stay tuned for further updates here soon at The Worlds Finest.
In related news, the live-action Warner Bros. Entertainment feature film Jonah Hex, based on the popular DC Comics character, is expected to gross slightly over $10 million before the end of this current week according to box office analysts.
Three new images from the upcoming direct-to-video DC Showcase: Jonah Hex animated short have been released, courtesy of Warner Home Video. Additionally, the home video label has also included the following text accompanying the three following images. Click on the thumbnails below for a closer look.
The second DC Showcase animated short, Jonah Hex, will appear as a bonus feature on the Special Edition Blu-Ray and 2-Disc Special Edition DVD release of Batman: Under the Red Hood.
Scripted by renowned author Joe Lansdale and starring the voices of Thomas Jane (Hung), Linda Hamilton (The Terminator), Michelle Trachtenberg (Mercy, Buffy the Vampire Slayer) and Michael Rooker (Days of Thunder), the DC Showcase short is based on the award winning comic series. The short is rated PG-13.
In the DC Showcase story, the tough-as-nails bounty hunter Jonah Hex always gets his man – until someone else gets to him first – in this case a murderous madam who wants to steal more than just her bounty from Jonah Hex.
A co-production of Warner Premiere, Warner Bros. Home Entertainment Group, DC Comics and Warner Bros. Animation, the direct-to-video Batman: Under the Red Hood animated feature debuts July 27th, 2010 on DVD and Blu-ray disc from Warner Home Video. DC Showcase: Jonah Hex will be included on the Special Edition DVD and Blu-ray releases of this title. Stay tuned for further updates here soon at The Worlds Finest.
The DC Showcase: Jonah Hex animated short will be directed by Joaquim Dos Santos, and executive produced by Bruce Timm. Dos Santos is slated to direct all future DC Showcase, with Timm also playing a heavy role in future animated shorts. Santos also directed the inaugural DC Showcase short, DC Showcase: The Spectre, which was featured on the Two-Disc Special Edition DVD and Blu-ray home video release for Justice League: Crisis on Two Earths, the previous DC Universe Animated Original Movie title.
Further details on the upcoming DC Showcase: Jonah Hex animated short, to be included on the Batman: Under the Red Hood home video release, will be release shortly. A co-production of Warner Premiere, Warner Bros. Home Entertainment Group, DC Comics and Warner Bros. Animation, the direct-to-video Batman: Under the Red Hood animated feature debuts July 27th, 2010 on DVD and Blu-ray disc from Warner Home Video. Stay tuned for further updates here soon at The Worlds Finest.
The World’s Finest presents the latest in a series of studio-conducted interviews, provided by Warner Home Video, this one for the The Spectre DC Showcase animated short included on the home video release of Justice League: Crisis on Two Earths. Continue reading below for the latest installment featuring The Spectre writer Steve Niles.
Writer Steve Niles Infuses Horror Into the Super Hero Realm with First-Ever Animated Take on The Spectre
Inaugural DC Showcase short appears on Blu-ray/DVD release of Justice League: Crisis on Two Earths
Renowned horror/comics writer Steve Niles adds his special touch of terror to the first-ever animated version of The Spectre, the initial entry in the DC Showcase series of animated shorts. The Spectre is being distributed February 23 by Warner Home Video as part of the Justice League: Crisis on Two Earths Blu-ray/DVD.
From the creative forces behind the DC Universe animated original PG-13 movies, DC Showcase puts the spotlight on favorite characters from throughout the annals of DC Comics in fascinating, short-form tales sure to entertain longtime and new fans alike.
The Spectre focuses on a detective story with an ethereal twist, featuring the otherworldly character originally introduced by DC Comics in 1940. The voice cast is led by Gary Cole (Entourage) as the title character and Alyssa Milano (Charmed) as Aimee Brenner.
Niles is one of the comtemporary writers responsible for bringing horror comics back to prominence. Named by Fangoria magazine as one of its 13 rising talents who promise to keep us terrified for the next 25 years, Niles is currently working for seemingly all of the top American comic publishers. His current ongoing series is “Simon Dark” for DC Comics with artist Scott Hampton, and “Batman: Gotham After Midnight” with artist Kelley Jones.
In 2002, the success of his “30 Days of Night” sparked renewed interest in the horror genre, and was developed as a major motion picture with Sam Raimi producing and David Slade directing. Niles co-wrote the screenplay. The film debuted as the No. 1 movie at the domestic box office. Also in development are adaptations of Wake the Dead with director Jay Russell, and Criminal Macabre and The Lurkers.
Niles got his start in the industry when he formed his own publishing company called Arcane Comix, where he published, edited and adapted several comics and anthologies for Eclipse Comics. His adaptations include works by Clive Barker, Richard Matheson and Harlan Ellison. IDW released a hardcover and softcover collection of Niles’ adaptation of Richard Matheson’s I Am Legend.
Niles has been nominated for multiple Eisner Comic industry awards and was the recipient of two Spike TV Scream Awards for Best Horror comic and Best Comic Adaptation. He also won the Scribe Award for Best Original Novel in 2007.
Currently his graphic novel Freaks of the Heartland is being developed for film by David Gordon Green. Niles is also writing a major videogame property that will soon be announced.
Niles took a pause from his daily marathon writing schedule to chat about The Spectre. Heres what he had to say
QUESTION: How familiar with The Spectre were you entering this project?
STEVE NILES: My knowledge of The Spectre was fairly minimal. I had done a series called “Batman: Gotham County Line,” where I had used a few of the supernatural c haracters. For that writing, I looked at Dr. Fate and Spectre, but in that case, I went with Phantom Stranger.
Within six months, I got a call from Todd Casey at Warner Bros. Animation asking if Id be interested in writing this short, and thats when I got really interested in him and he does fascinate me now. I dove headfirst into all of the 1970s Spectre stuff, and the more I read, and the more I talked to Bruce Timm about the him, the more I fell in love with the character. Judge, jury, executioner. He kills. I wish I had been more into the character before because hes perfect for me.
QUESTION: So The Spectre really hits home for you?
STEVE NILES: I have a big affection for crime and noir, and a big affection for horror, and The Spectre is the one character that I can literally combine them. He can be a detective when I need him and, then, when he gets the confession out of you, I can have him kill you. Hes very Ditko-esque, or even a kind of Rorschach. But I like The Spectre better in that, because hes a dead guy and hes haunted, you trust his judgment a little more. You figure hes justified. Thats why Batman doesnt kill he cant judge a living peson. But this is a guy who is dead, he knows how the system works, he understands the ramifications, so he figures he can save us all a dime and kill them with a muscle car.
I remember as a kid reading The Spectre comic and the true fun of it was that this guy had a flair for the ironic in his retribution. There was this issue where a hairdresser gets killed by giant scissors. I loved that so much. It makes it such fun to write a character who gets to look into each bad guy, see what makes them work, and then turn that on them. Its like he gets to give them a little taste of hell before he sends them to hell.
QUESTION: Youve worked in a number of mediums, but this is the first time in animation. How did that experience compare to comics, film, etc.?
STEVE NILES: I loved it. I find it really liberating working in other peoples sandboxes. Tell me what your rules are, and I can stay there and have fun, instead of just staring at a blank piece of paper. It was fun working with Alan (Burnett) and Bruce (Timm) and bouncing ideas off them. They say too much dialogue, I say Okay, cut it out. There can be no ego in this writing. And it was probably the easiest time Ive ever had writing something. Ive had lots of fun writing movies and comics, but this was just plain fun. The worst part of the whole experience was that we had to lose one of the killings, but that was no big deal. And thats as bad as it got.
QUESTION: No ego? But you must still feel a certain amount of pride to finally earn your first written by credit for The Spectre?
STEVE NILES: Even 30 Days of Night was a story by credit and I had the script credit divided with three other people. This is the first time, love it or hate it, that I can watch the film and say, Thats my freaking dialogue. The Spectre is the most complete thing Ive ever had go from script to screen, and that in itself is really exciting for me. Being able to see what you write actually get onto the screen is phenomenal and so hard in movies.
QUESTION: Did you work closely with Bruce Timm on this project?
STEVE NILES: Ive been a fan of Bruce Timm for years, and we had never had an opportunity to meet. Ironically, I was doing last minute edits on the script on the way to Seattle for a Con and he was sitting right next to me and that was the first time we met. Hes as big a nerd as me. We like the same comics, we both love the 70s were both fans of guys like Herb Trimpe, Frank Robbins, Sal Buscema, Jack Kirby. We do the classic geek stuff, sitting around and talk about this stuff, and buying comics weve already bought before. Right now Im on a major Spectre binge, buying every damn Spectre I can get my hands on. The Golden Age art looks insane, but fortunately the prices on those will keep me in check.
QUESTION: Will viewers find Steve Niles fingerprints all over this script?
STEVE NILES: Theres a lot of me in this script, and people that know me will see that quickly and throughout. If I could do a comics series called Monsters and Muscle Cars, Id be a happy guy. I have a 1973 Nova that I keep running. When Im not writing, Im out driving in that. I love that damn car.
I also have a big love for noir, so theres an homage to, say, speech patterns that sound like Fred MacMurray from Double Indemnity. This script offered some great opportunities to throw a lot of this stuff I love into it. As well as to take a nice swipe at Hollywood greed, which is such an easy target, but still fun. The people who know me who have seen it say Geez, why didnt you just put yourself into it. I guess I shouldve just had the Spectre kill me.
QUESTION: Did Warner Bros. ever curtail your freedom in creation?
STEVE NILES: The funny thing is that I was going to be more restrained. I thought, Well, I cant rip heads off. And they were saying, No, come on. Lets see what youve got. I think people will be surprised at how actually scary this thing is. Its a good little horror story.
Suggested caption information:
SteveNiles.jpg Steve Niles (30 Days of Night) is the screenwriter of The Spectre, which is being distributed February 23 by Warner Home Video as part of the Justice League: Crisis on Two Earths Blu-ray/DVD.
Spectre_07.jpg The Spectre makes his animated debut as the title character in the inaugural entry within the DC Showcase series of animation shorts. Gary Cole (Entourage) provides the voice of The Spectre, which is being distributed February 23 by Warner Home Video as part of the Justice League: Crisis on Two Earths Blu-ray/DVD.
Corr_03.jpg Detective Corrigan has a slight edge on most investigators in The Spectre, the first entry within the DC Showcase series of animation shorts. The Spectre is being distributed February 23 by Warner Home Video as part of the Justice League: Crisis on Two Earths Blu-ray/DVD.
Aimee_Corr.jpg A bit of romantic history flows between Detective Corrigan and Aimee Brenner in The Spectre, the inaugural entry within the DC Showcase series of animation shorts. Gary Cole (Entourage) and Alyssa Milano (Charmed) provide the voices of Detective Corrigan and Aimee Brenner, respectively. The Spectre is being distributed February 23 by Warner Home Video as part of the Justice League: Crisis on Two Earths Blu-ray/DVD.
DC SUPER HEROES and all related characters and elements are trademarks of and DC Comics. (s09)
For more information, images and updates, please visit the films official website at www.JUSTICELEAGUECRISIS.com.
Also made available by Warner Home Video, new The Spectre media has been released by the studio. To view the new clip from the The Spectre animated short, included on the Justice League: Crisis on Two Earths home video release, please click on the thumbnail image below. The clip is presented in the Quicktime format.
A co-production of Warner Premiere, DC Comics and Warner Bros. Animation, the direct-to-video Justice League: Crisis on Two Earths animated feature is now available to own on DVD and Blu-ray disc. Click on the links below to discuss both the new Justice League: Crisis on Two Earths animated feature, the respective DVD and Blu-ray home video releases and the included The Spectre DC Showcase animated short.
Stay tuned for further updates here soon at The World’s Finest.
The World’s Finest and WaterTower Music have teamed up to give fans the opportunity to recieve a free copy of the Justice League: Crisis on Two Earths Soundtrack From the DC Universe Animated Original Movie CD release from WaterTower Music. For this week only, The World’s Finest will be giving away ten copies in total of the Justice League: Crisis on Two Earths Soundtrack From the DC Universe Animated Original Movie Soundtrack CD release to ten lucky recipients, courtesy of WaterTower Music.
Justice League: Crisis on Two Earths Soundtrack From the DC Universe Animated Original Movie is now available on Amazon, iTunes and other digital music retailers. The soundtrack is available as both a digital download (Click here for iTunes!) and an Amazon-exclusive compact disc release (Click here to purchase!).
To enter, simply send an email to bbeyond@yahoo.com, including your name, full mailing address and phone number by the end of the day today, Friday, February 26th, 2010. Please label the email “Justice League: Crisis on Two Earths CD Contest.” Only one entry per person will be accepted. From there, ten entries will be randomly selected to receive a free copy of the Justice League: Crisis on Two Earths Soundtrack From the DC Universe Animated Original Movie CD release from WaterTower Music. Please note this special giveaway is only available to residents of the United States.
Only those randomly chosen to receive a copy of the CD release will be notified via email shortly after the closure of the contest. Please note the terms and conditions of this special giveaway are subject to change without notice.
Justice League: Crisis on Two Earths Soundtrack From the DC Universe Animated Original Movie is now available on iTunes, Amazon and other digital music retailers. Official details for the Justice League: Crisis on Two Earths Soundtrack From the DC Universe Animated Original Movie CD release from WaterTower Music are available here.
Additionally, the highly anticipated Wonder Woman Soundtrack From the DC Universe Animated Original Movie score release is also now available to own as a digital download through Amazon, iTunes and other digital music retailers from WaterTower Music (Click here to purchase!), with a special limited-edition CD release from La-La Land Records to follow on March 23rd, 2010. La-La Land Records was originally set to release the special limited edition CD on March 9th, 2010, but is currently experiencing production delays on the title. Further details, including track details and cover artwork for this release, are available here.